Showing posts with label kulturkampf. Show all posts
Showing posts with label kulturkampf. Show all posts

Thursday, February 3, 2011

Happy Birthday, Tomas!

Happy Birthday, Tomas!*

Made in commemoration of the 400 years of the University of Santo Tomas, Manila
via the "Varsitarian"

By Lourd Ernest C. De Veyra




What birthday? Birthdays are for six-year-olds whose parents feel a happy obligation to bring sweet spaghetti and ice cream to the whole class. The 400th birthday is a lame phrase. The number beams with tectonic magnificence, conjuring images of monumental cliffs, mountain peaks vanishing in feathery clouds, the sun, the slow-dance to the rhythms of the geological clock. “Birthday” smacks of silly party hats and parlor games.

We never use “birthday” when referring to manifestations of nature’s might. The Rock of Gibraltar, the cliffs of Dover, the Arctic glaciers. For me, it is much easier to imagine the sounds and smells of the Pleistocene era than to imagine UST being born, being constructed. Don’t ask me why. Perhaps it is because the university feels older than the earth itself—even with the presence of a McDonald’s and a KFC. There’s just something in the air, the trees, the bricks, even if the brick had been laid just last week. For me, the university has been there for as long as the stars and the sky have been there. For grace unending is grace without beginning.Of course, I am aware that behind each stone, each brick, each nail—ancient or otherwise—lies the mark of human toil. But like Beethoven’s fifth and ninth symphonies, the “Toccata” of J.S. Bach, Picasso’s “Guernica,” the Sistine Chapel, Citizen Kane, Joyce’s Ulysses, the Beach Boys’ “Pet Sounds,” the Christo Redentor in Brazil, the Great Wall of China, Machu Pichu, the Taj Mahal,Michael Jordan’s final jumpshot against Utah, these go beyond human provenance and enters the realm of the divine.

Divine, yes, even if sometimes we see the occasional teen idols from ASAP dancing here every now and then. Even if a lot of students taking on the choreography of noontime-show harlots replete with thumping pelvises and jiggling mammaries. Even if it has charlatans and traitors equaling the number of heroes and geniuses on its list of alumni. The University transcends all these, just as the earth is beyond the middling and the trifle. But then again, I understand the value of commemoration and history, so by all means, uncork the champagne, roll out the red carpet, launch the fireworks, ribbon-cut the exhibits, gather the intellectuals for the endless string of symposia, unveil the new, expensive pieces of sculpture. But a force of nature, both human and celestial, like the school deserves a much more solemn, more pagan celebration, like worshipping stones, chanting, ritual sacrifice on the football field—oh, wait. Sorry. This is a Catholic institution.

The University has been there for 400 years and will be there for another 400—assuming that the ancient Mayan astrologers are wrong about the world ending in 2012.

So stop this “birthday-birthday” business already. The word does not do justice to the sheer grandeur of the number. So pardon, if you will, this absence of sentimentality and gushing expressions of cheer and felicitation. You’re 400 years old. You’re a big boy now.

* Url:http://www.varsitarian.net/literary/20110126/happy_birthday_tomas

Saturday, January 8, 2011

‎"Only Art Deco, Art Nouveau and 'real' Pilipino architecture Will Save Manila's (and the Philippines) contemporary architecture..."

‎"Only Art Deco, Art Nouveau and 'real' Pilipino architecture Will Save Manila's (and the Philippines) contemporary architecture..."

by Lualhati Madlangawa Guererro



When I was young, I used to look at buildings situated in Manila.

From Avenida Rizal to Escolta, from Plaza Lacson to Quiapo, Recto to Legarda, Morayta, and Espana. And what I used to see back then, aside from houses of course, are buildings designed by architects, whom tried enough to put artistry and purpose in making that building a good place for work, school, anything habitable for man.

But then,
As time passed out, lies drastic changes in the scenery of the once "pearl of the Orient." Yes, there are fine buildings being built, but the buildings once prominent, especially on Escolta and Avenida Rizal, were left deteriorated, even demolished-paving way for nonsense box-type buildings of glass and steel with less taste of architectural wonder, or in other words being built for sake. For sure people don't know much the value of buildings being made in the past, of Art Deco, Art Nouveau, Classical, even Spanish era architecture that is, limited to some scenic spots or rather say, coffee table books being bought in modern Makati.

And like our culture, being bombarded much with wholesale westernization, "modern-day architecture" also affects the status of Pilipino buildings, that, instead of rehabilitating, are being left out, deteriorated, and be demolished paving way for what the system wanted that is, modern. The Jai-Alai building in Manila, once prominent venue for its festive sport, was end up demolished despite protest from conservationists and even prominent personalities, and from its ruins lies a "meaningful" purpose in a "meaningless" architecture being built-a hall of justice that, according to a page concerning the building and the initator of its demolition, Lito Atienza:

"Mayor Lito Atienza, who studied architecture in college, says he is aware of the Jai Alai building's pedigree, but argues that it was necessary to tear it down. He believes the need for a new courthouse far outweighs the sports center's historical value. "I've been given an opportunity by the national government to build a hall of justice," he told Asiaweek. "I am proceeding with the task even if we have to sacrifice part of our historical past in the process." To suggestions that the Jai Alai building could have been saved and adapted as a court, he replies: "That building has been housing criminals, [purse-] snatchers and pickpockets and even deteriorated into a casbah. It would not work as a new justice building if we kept the faCade because people would remember the game-fixing and the cheating, instead of the dignity that befits a hall of justice. It just wouldn't blend."

Atienza is portraying the demolition of the Jai Alai building as the beginning of the rehabilitation of Taft Avenue — "You get a hall of justice and you get rid of a decaying part of Manila."

Atienza perhaps was too stupid in doing that initiative, he spoke of "rehabilitation", "justice", and other meaningful words to justify that hell of a kind action. Is rehabilitation in Manila be limited to old Spanish buildings in Intramuros whilst the American-era ones be left deteriorated and be demolished like the once popular Jai-Alai? Yes, you may have built the hall of Justice yet in a wrong place so to speak, worse? Making it also to say that Atienza was a good benefactor for the next elections!

There are even some buildings that end up doomed or deteriorated, or lately undergone rehabilitation or demolished instead:


Metropolitan Theater
The Manila Metropolitan Theater is located on Padre Burgos Avenue, Manila, Philippines. The theater was built in 1935 with an art deco design by architects Juan M. Arellano and Otillio Arellano and could accommodate as many as 1,670 people. The theater is endowed with bronze sculptures depicting ancient female Philippine performers designed by Francesco Riccardo Monti, a stained glass mural mounted above the main audience entrance, and Philippine plant relief carvings found in the interiors of its lobby made by Isabelo Tampingco. Still standing at the area of Lawton in Manila, near Liwasang Bonifacio, the theater is deteriorating because of lack of maintenance and acts of vandalism. Closed in 1996, its east wing is now used as office space for government services.

Capitol Theater
The Capitol Theater, situated in Escolta, Manila, was designed by Philippine National Artist for Architecture Juan Nakpil and was built in the 1930s with an approximate seating capacity of 800. This theater had a double balcony, which is a rare architectural design. With an art deco style by the architect, the theater's facade has reliefs of 2 muses done by Francesco Monti. The theater is now closed, its location serving as a venue for a few commercial establishments and restaurants in the said area.

Avenue Theater
Another architectural work by Arch. Juan Nakpil is the Avenue Theater. Located along Rizal Avenue in Manila, the theater had a 1,000 seating capacity, with its lobby bearing a marble finish flooring. At one point, the building housed a hotel and also served as office space. In 2006, it was demolished to make way for a parking lot, as realty costs were too expensive for it to be maintained.

Bellevue Theater
The Bellevue Theater is one of a few classic Philippine theaters built in the '30s still running today. It is located on Pedro Gil (formerly Herran) Street, Paco, Manila and has a total seating capacity of 600. The theater's Neo Mudejar theme, the auditorium's quonset hut design, and its classic ornamentations bring visitors back to its founding era. The theater currently operates as a single screen cinema.

Ever Theater
The Ever Theater is located along Rizal Avenue in Manila. The theater was also designed by Juan Nakpil and has a single screen cinema with an 800 seating capacity. It was also visited by Walter Gropius during its inauguration in the 1950s, praising the theater's outstanding qualities. Currently closed as a theater, it now serves the public as a commercial arcade.

Ideal Theater
The Ideal Theater was located at Rizal Avenue in Manila and designed by the late Architect Pablo Antonio in 1933. The theater was demolished in the late 1970s to give way to the construction of a department store. The Ideal Theater was one of the first major works of Pablo Antonio along with the buildings of Far Eastern University and Manila Polo Club.

Scala Theater
Another theater designed by Pablo Antonio was the Scala Theatre, also on Avenida Rizal in Manila. With its floors paced with tea rose marble and its curved wall ligned with glass blocks, the theater's magnificence did not last: it was closed in the '90s. The theater catered to up to 600 people for its single screen operations.

Times Theater
The Times Theater, currently found along Quezon Boulevard, Quiapo, Manila, was designed by Architect Luis Z. Araneta. It was erected in 1939, with a Art Moderne relief. Unmaintained today, the theater is still operational, and can accommodate 800 people with its single screen operations.

State Theater
Another work of the late architect Juan Nakpil, the State Theater was on Rizal Avenue in Manila. Built in the 1930s with an art deco design, the theater was eventually closed and demolished in the '90s.

Life Theater
One of the works of Pablo Antonio, the Life Theater used to be one of Manila's prime movie houses. The theater was adorned with aluminum buffles and columns, consistent with its art deco design. Along with the Times Theater, the theater is found along Quezon Boulevard in Quiapo, Manila. It has been converted to a shopping center.


Too bad for the buildings built by Pablo Antonio and Nakpil, or rather say prominent architects once studied in UP, UST, and even in America only to put their practises-trying to fuse style and utility, purpose and posh; but nowadays, mere creators of buildings using, as what my friend said: "Boysen Architecture."

How wonder why of all buildings be demolished are those made of prominent ones? Yes, there are buildings that are deserved to be demolished because it is totally deteriorating and inhabitable, but there are some that, with its good features be liable for rehabilitation and reuse, transform. But despite the calls, still not to care about it, even calling it unfeasable and be demolished, be replaced with buildings that are too contradictory with the familiar features of Manila as a classical place.

Once I read about a writeup about Cambodia's New Khmer architecture. Like the Philippines, Cambodia's architects like Van Molyvann tried to fuse the ancient and the new through its buildings after studying in France. And as a result, apartments, school buildings, even a sports plaza in Phnom Penh had some Khmer flavor in it; but sadly, some of it, like Manila, end up deterorating and demolished. As one writer said:

"Demolished and from its ruins concrete box buildings..."

Speaking of Van Molyvann, here's one writeup that shows his architectural wonder the way Pablo Antonio, Nakpil and Locsin did:

"Mr. Vann, who trained at the Ecole Des Beaux Arts in the late 1940's and lives in Phnom Penh today, adapted a modern vocabulary to Cambodia's culture, climate, geography and its vernacular and ancient architectural traditions. In particular, the buildings elevate what we now call “green” technologies—double roofs, cross-ventilation, brise-soleils, indirect lighting, evaporative cooling, use of local materials—into exquisite architectural form."

I admire what Mr. Vann did for Cambodia-that some "green" architects tried to imitate it but carries the lack of what Mr. Vann shown, its like "less airconditioners more trees, less lightbulbs and more sunlight, plus good paint colour" so to say. Locsin, Nakpil, and Antonio may have tried fusing the ancient and the new in creating Pilipino contemporary architecture-with its theatres being designed by them as its proof and its interiors lies paintings and sculpture showing the beauty of the Pilipino-especially the Pilipina women, baked by the sun yet beautiful in its appearance.

But still,
People are least aware in the architectural wonders of the past, that there are buildings made in a unique, fashionable sense that made them famous like the ones in Escolta and in Avenida Rizal; the promincence of these centres were superseded by Makati and Taguig as the centres of business and lifestyle as we noticed, leaving the old deteriorated, less to be emphasised, worse? Demolished.

And upon looking at these bulwarks of old craftsmanship, true to say that we are creating losses in our heritage in favor of mere "modernity". That, most officials think that those buildings made during the Spanish era and few from the American era are being recognized much but how about the others? Isn't it obvious that we're becoming choosy, when it comes to landmarks?

Well...
As a suggestion, I would rather say that only Art Deco, Art Nouveau and 'real' Pilipino architecture will revive the Pilipino uniqueness in contemporary architecture. The creations of Antonio, Nakpil, Locsin, and others who tried to create the fusion of the old and new lies a means to inculcate consciousness amongst Pilipinos while, personally to say that these architectures are fitting for a tropical setting; for sure there are few people still trying to put patriotic flavor in creating modern monuments, but most tried but end up merely for aesthetic sense and not been seriously think of- that Manila we've seen back then, and now, would end up too different for tomorrow, sadly if most buildings in Escolta, in Avenida Rizal, in Recto, in Legarda would have been Boxes and a trying hard "New York" instead of a posh "London", "Paris" or "Barcelona" thanks to America.

Sorry for my suggestion regarding architecture, but to tell frankly, Manila is too classical, retro to put much a barrage of "overwesternized" buildings especially in those where once-bulwarks of Art Deco, Art Nouveau and other retro-like architectures being built. Worse? Trying to make Manila be as if like Makati. Sorry for the latter, but Makati,Taguig, and other cities in Metro Manila and even the Philippines is fit for "Modern buildings" while some must retain its "beauty and charm" as bastions of "old yet nice" architectures as Conservationists wanted. But personally to say, I don't like turning old buildings into mere museums and monuments: give them a real purpose. Let the old building of Citibank in Escolta return to its rightful purpose as a business centre same as others in its surroundings if they want Escolta to be revived once more as a prominent part of Manila. Same in Divisoria, rehabilitating buildings of purpose like the Manila Textile Market, Shoe Lane, and others being built after war and its succeeding years would be nicer than before same as they did in Tutuban.

But still,
More will remain apathetic about it. Worse, to say that being Luma is Pangit, of being Old, Ancient as Ugly and Unfit. Sorry but that's true.

This is not just about calling for conservation, but a call for consciousness...

Thursday, January 6, 2011

Noticing how manstream music nowadays became an ear rapist

Noticing how mainstream music nowadays became an ear rapist


Last afternoon, I heard a music played in my friend's laptop computer, the music being played at first seemed to be recognizable, but then it turned out to be a mere "remix" that is, heavily edited for a mere music song using a familiar tune-that for me, makes me to oppose it.

Speaking of oppose, how come I found that song being played unpalatable?

The songs being played, entitled "Check it Out" by Will I Am and Niki Minaj as well as the song "The time" made by the Black Eyed Peas compelled me to listen instead the songs they've sampled, that in fact "better" than what being played nowadays such as "Video Killed the Radio Star" by the Buggles and "The time of your life" by Bill Medley and Jennifer Warnes. To others, they would think that I am compelled by nostalgia to listen instead to the original ones instead of the current ones that are being played in the radio and shown on MTV and Youtube!

Sorry for the words being typed upon since I, like those who admire the Buggles, Bill Medley, would think that the songs that are familiar in the 80s generation would think that is-being ruined away after using it as a sample. I may have admired the Black Eyed Peas yet I really think that the latest theme being played in the radio or shown in MTV or Youtube made me, and even the others would think that these songs are being-"raped." As according to one of the Youtube's viewers:

"No, no, no! They didn't JUST kill it... they raped it and then killed it, while also spitting in the face of '50s-'80s classics."

or even this:

"autotune killed the music today
auto tune killed the music today
technology came and broke my ears..."

The latter seemed to be obviously factual-remember Justin Bieber? He became popular after being a Youtube sensation, being praised much by young girls who think of him as a prepubescent guy while others think of him as a homosexual (sorry for the term). Bieber may have been popular because of the song "Baby" as well as other songs sung by that person, but as time goes by, it end up merely an earsore-especially if it is being played too much on the mainstream radio that has no specialties except mere music that is, usually played in the busline. Worse? Getting bombarded by autotune music, less talent and more into the physique, popularity and of course, profit all in the name of commercialization and commodification of Music.

Back to the topic,
I can't speak much clearly on why I ain't not to listen to Bieber, as well as the songs "Check it Out" and "The time" and instead listen to Rock, Metal, Ska, Punk, even retro music like those of the Buggles and Bill Medley. I may have listened to Lady Gaga yet her song "Bad Romance" sung by Caro Emerald is much better, and Katy Perry's "I Kissed a Girl" seemed to be good to be listened as it being played by a bluegrass band named the Cleverlys.


Once, I played a native song sung by a folk band named Kadangayan and telling to the "rootless cosmopolitans" to "return to the roots". But one of the "rootless" replied to me too subjectively and thinking that kind of music sung by Kadangyan as "weird" and "unpopular" comparing to Bieber (and even telling me to join with the folk artists!).
"Ya," I said, that at least that is really music being played comparing to auto tuned, commercialized music being produced, played for goddamn sake of popularity. They may have listened, admired the songs they've used to, but haven't been in a music fete or any related festivity "full of wine and song" while waiting for their savior like Bieber or any other singers that are "popular" to come to the Philippines and play their crass sound music with some bouts of "handsome looks" for the fans haha! One person even replied me the same reply the former said, this time telling me the music being sung by Kadangayan are songs of the ignorant and of the fool! Oh god! What a rootless person are they isn't it?

Noticing what kind of person they are, only to be replied that the ones who are deeply from the roots are the flowers while theirs are merely weeds and grasses trying to suck the nutrients from the soil for their own sake leaving the culture dying. Isn't it obvious much that these people, being "rootless cosmopolitans" having no sense in their surrounding at all and instead getting contented in their boxed-up mindsets? Oh god! If they called most "haters" of their music as stupid or any other deregatory sentiment, only to be replied by their acts that is, obviously similar to what being said so-that they have no culture, breeding, heritage as they are drooled to listen to the "meaningless sentiments" courtesy of mainstream radio and other forms of mass media being controlled by the system.

And speaking of that system who controls media, they somehow obviously bringing trash in every mindset-the culture most of the people nowadays became too worse than better to engage into it.

Again, what makes me oppose is their unpalatability-but it doesn't mean that includes an all-out offensive against the dignity of a fanatic; but attitude, whether from their idol or their follower somehow destroys the character, warmth and complexity of what being shown to the rest, so are the songs being played too much on the radio or shown in MTV or in Youtube.

After all,
I don't join the flow what they've joined-for I resist it.

Monday, January 3, 2011

Tuesday, December 28, 2010

Examples of Music being played in Radio Bandiera Nera

Examples of Music being played in Radio Bandiera Nera


It all started last last year, when I listened to the radio known for its European music, that in fact caters to the far-right. That radio, named "Radio Bandiera Nera" is trying to be the online countercultural radio being brodcasted much via the internet.

But then,
I myself notice much that despite its far-right tone, of promoting Casa Pound and other Far-Right organizations, especially in Italy, the music being played much is somewhat more into avant garde, industrial, to oi! and metal of all kinds. While I, a left-winger, listened much to it not caring its right-wing sentiment being promoted by that online radio.

Secondly, I myself is an avid listener of those music, and at least it offers somewhat an alternative to the mainstream music usually played in the Radio, or shown in MTV featuring nonsense music (except to those unforgettable, good to listen ones of course) that makes a person suffered by a symptom named "Last Song Syndrome."

And the songs like "Nur Ihr Allein", "Alexanderplatz", and "Friday im in Love" are unforgettable to listen-especially the latter that once I heard it when I was young; while song Alexanderplatz even reminds of writing a story I usually do so. Same as the song made by In Extremo that intensifies my interest in my subgenre.








After all,
As according to the first writeup that introduced the online radio station, it said:

"As I listened to the music played in RBI, devoid of their message of "white power", "anti-socialism", somehow it also mirrors the fact that the system rotten and its people desired a need for change. Whether it is "the Cure" or any other kind, even Musikangbayan and the ones who sung "Awit ng Rebolusyonaryo" (Song of the Revolutionary), they wanted change in all sorts-including love and relationships..."

Monday, December 27, 2010

On the Revolutionary Potential of the Lumpenproletariat

On the Revolutionary Potential of the Lumpenproletariat*

BJ Murphy

December 24, 2010





Intro by Mike

In a recent post by Rosa, she raises questions about what the Marxist term “lumpen proletariat” means — and how to understand the nature and revolutionary potential of the criminal class and (separately) of “broken people” at the bottom of class society.

She describes a young brother living in a housing project and saying:

“The people here are so fucked up, they don’t deserve communism and would mess it up if they had it.”

And she asks her own pointed question:

“How do we show up here, as communists, and change people’s choices, and change the people themselves?”

The following is an essay from the early days of the Maoist movement in the U.S. — it appeared in the journal Red Papers 2 that helped create the Revolutionary Union as a national communist organization.

It was written at a time when some revolutionary forces (notably the Black Panther Party) were claiming that the lumpen proletariat (as a class) included both criminal elements and the permanently unemployed sections of the working class — and that together they could forge a relentless revolutionary vanguard stratum for leading change in the U.S. The Revolutionary Union sought to present a different (and more classically Marxist) view of the lumpen.

Here in the U.S., it is my view that we should view the lumpen as the career criminals — the ones who mastermind the gangs, or spend much of their life preying on the people. They are not the same as the working class kids who sometimes slip in and out of illegal activity, or people on welfare who are unable to work, or those described in some Marxism as “the permanent army of the unemployed.”

In other words, I would make an argument that we should distinguish between the lumpen and poorer sections of the working class.

This article views sections of the lumpen as a potential ally of a revolutionary core — but not itself a force that can itself lead in driving revolution forward.

Meanwhile there is more to say about the white lumpen — sections of which have have played a negative role, through rightwing motorcycle gangs or even fascist groups like the prison-based Aryan Brotherhood.

This essay has now been recently reposted in the Encyclopedia of Anti-Revisionism On-Line where many materials of the New Communist Movement of the 1970s appear.

* * * * * * * *

The Lumpenproletariat and the Revolutionary Youth Movement

by Bruce Franklin





The first major Black rebellions since 1943 broke out in several large cities in the summer of 1964. That fall, the Free Speech Movement erupted at Berkeley. Since then, it has become increasingly obvious that the Black Liberation Movement plays a leading part in revolutionizing large sections of white youth, and recently we have come to see a Revolutionary Youth Movement in the mother country dialectically related to the struggle of the internal Black nation.

Clearly it is crucial that some of those engaged in both struggles develop a correct theoretical understanding of the relation between the two. In trying to arrive at this understanding, some people within both the Black and youth movements have started relying on the term “lumpenproletariat.”

The reasons for this are clear. A section of white youth has dropped out of its privileged position and consciously assumed a sub-proletariat mode of existence. These “street people” now live a life at least superficially similar to that into which a large section of Black youth has been forced. Black youth on the block and white street people own no property, rarely sell their labor (in one case because they cannot, in the other because they will not), hustle and drift; they despise and are despised by bourgeoisie, petit bourgeoisie, and privileged sectors of the working class alike. Their resemblance to each other has now been driven home by the police, who have begun to use on the white drop-outs the kind of systematic terror and brutality usually reserved for Black and brown people and the poorest whites.



The Black Panther Party sometimes glorified the potential of the Lumpen --
and contrasted their desperation to the often conservatizing stability of some employed workers. Here a poster by the beloved Panther artist Emory Douglass

All this has led some to theorize that the principal class struggle in the United States is not that between the bourgeoisie and the proletariat but that between the lumpenproletariat and all other classes, who are seen as more or less bourgeoisified. They visualize an anarchic force, made up of the most desperate and alienated sub-groups in society, ripping the vitals out of the Empire and dragging the rotting corpse to some fiery Armageddon. Since this idea has been advanced by some people strategically enough placed in the movement to be able to put it into practice, we must seriously analyze both its theoretical foundations and practical consequences.

To do this, we must answer two very difficult questions: What precisely is the lumpenproletariat? What are its possible roles in the American revolution? This paper is offered as a preliminary examination of these questions.


MARXIST-LENINIST THEORY AND THE LUMPENPROLETARIAT

The lumpenproletariat is a class that has received extremely little attention in classical Marxist-Leninist theory, and what has been said about it is somewhat puzzling.

Marx and Engels were writing at a time when most other writers about the history of revolutionary struggle took a consistently bourgeois viewpoint. To these other writers, revolutions – and for them of course the French revolution was the archetype – were carried out by a mob, an undifferentiated mass, le fou. Marx and Engels, in singling out the industrial proletariat as the vanguard of socialist revolution, were anxious to distinguish it from that urban mob of the bourgeois writers. This may help account both for the contempt they express for the lumpenproletariat and for their lack of detailed analysis of its conditions of life, its consciousness, and its relations to capitalist production.



White lumpen are not known for their progressive views --
but there have been times of multinational unity and struggle

In the Communist Manifesto, they refer to the lumpenproletariat as “the ’dangerous class,’ the social scum, that passively rotting mass thrown off by the lowest layers of old society,” and claim that although it “may, here and there, be swept into the movement by a proletarian revolution, its conditions of life prepare it far more for the part of a bribed tool of reactionary intrigue.” (Selected Works, I, 44), In The Class Struggles in France, 1848-1850, Marx says that the lumpenproletariat “in all big towns forms a mass sharply differentiated from the industrial proletariat,” and analyzes it as “a recruiting ground for thieves and criminals of all kinds, living on the crumbs of society, people without a definite trade, vagabonds, gens sans feu et sans aveu, varying according to the degree of civilization of the nation to which they belong, but never renouncing their lazzaroni character.” (Selected Works, I, 155). The most savage passage comes in Engels’ “Prefatory Note to The Peasant War in Germany”:

The lumpenproletariat, this scum of the depraved elements of all classes, which established headquarters in the big cities, is the worst of all possible allies. This rabble is absolutely venal and absolutely brazen. If the French workers, in every revolution, inscribed on the houses: Mort aux voleurs! Death to thieves! and even shot some, they did it, not out of enthusiasm for property, but because they rightly considered it necessary above all to keep that gang at a distance,, Every leader of the workers who uses these scoundrels as guards or relies on them for support proves himself by this action alone a traitor to the movement (Selected Works, I, 646).

Yet even this passage, taken with the others, presents some apparent contradictions.

First of all, what do Marx and Engels see as the class background of the lumpenproletariat? This is not an idle or academic question. Class background should certainly have something to do with determining consciousness, both actual and potential. And recently it has become fashionable in some quarters to write off the street people as not even lumpenproletariat but “lumpenbourgeoisie,” or fake lumpenproletariat. In the previous passage from Engels he says that they come from the “depraved elements of all classes.” But the Manifesto says that they come only from “the lowest layers of old society.” And in the very passage in which Marx says that the lumpenproletariat is “sharply differentiated from the industrial proletariat,” he also indicates that it comes directly from only one class, that same proletariat (’And so the Paris proletariat was confronted with an army, drawn from its own midst . . .”). Yet in The Eighteenth Brumaire of Louis Napoleon, Marx is quite explicit in stating that the lumpenproletariat comes from all classes:

Alongside decayed roues with dubious means of subsistence and of dubious origin, alongside ruined and adventurous offshoots of the bourgeoisie, were vagabonds, discharged soldiers, discharged jailbirds, escaped galley slaves, swindlers, mountebanks, lazzaroni, pickpockets, tricksters, gamblers, maquereaus (pimps), brothel keepers, porters, literati, organ-grinders, rag-pickers, knife grinders, tinkers, beggars – in short, the whole indefinite, disintegrated mass, thrown hither and thither, which the French term la boheme; from this kindred element Bonaparte formed the core of the Society of December 10. A “benevolent society” – in so far as, like Bonaparte, all its members felt the need of benefiting themselves at the expense of the labouring nation. This Bonaparte, who constitutes himself chief of the lumpenproletariat, …. here alone rediscovers in mass form the interests which he personally pursues, „ „ . recognizes in this scum, offal, refuse of all classes the only class upon which he can base himself unconditionally . . . (Selected Works, I, 295).

But this is all very confusing, because in the Manifesto the paragraph which immediately follows the sentence condemning the lumpenproletariat describes the pauperization of the proletariat in these terms:


Attica Rebellion 1971 -- the high level of Black-white-Latino unity revealed the ability to transform conditions through struggle

In the condition of the proletariat, those of the old society are already swamped. The proletarian is without property; his relation to his wife and children has no longer anything in common with the bourgeois family-relation . . Law, morality, religion, are to him so many bourgeois prejudices, behind which lurk in ambush just as many bourgeois interests. (Selected Works, I, 44).

A few paragraphs later, it states that “the modern laborer . . . sinks deeper and deeper below the conditions of his own class”; “He becomes a pauper, and pauperism develops more rapidly than population and wealth.” Well, then, if this is true, what happens to the pauperized proletariat? How do they manage to live? Why is a knife grinder or a tinker or a porter or a beggar or a discharged soldier or even a discharged jailbird a member of some other class, the lumpenproletariat, “sharply differentiated from the industrial proletariat”? It cannot be just a question of values, because to the true proletarian “law, morality, religion” are just “bourgeois prejudices.” And it cannot be a question of personal relation to the means of production, because in that case any worker who becomes unemployed would automatically become a member of the lumpenproletariat and the industrial reserve army would become a lumpen army.

I would like to draw the following working conclusions: Marx and Engels, perceiving the existence of an important but ill-defined social class and angered by the treacherous role often played by that class, tended to make an ethical judgement rather than a Marxist analysis of its role in capitalist society and revolutionary struggle. This class may be defined as follows: It does not engage in productive labor, and is therefore not exploited in industry (The bourgeoisie, however, does utilize it as police, army, or agents). Its principal means of support is the labor of the productive class, and its relationship to the proletariat is therefore inherently parasitic. Its members have come from all classes, and they have ceased to be members of those other classes because of a combination of two conditions, one objective, the other subjective – they no longer have the same relationship to the means of production and they no longer have any loyalty to their former class. From this it follows that the lumpenproletariat will contain more varied forms of consciousness than any other class in society, for the previous experience of the individuals within it will be most varied and their present precarious means of existence will throw them into many different forms of contact with all the other classes (the prostitute providing the most striking example of this). So the role of the lumpenproletariat is inherently unpredictable both strategically and at each and every moment.

If this is true, we should be keenly aware of the unreliability of the lumpenproletariat, but we must reject Engels1 condemnation of them as completely worthless and merely dangerous. Marx provides a key insight in a passage which foreshadows the analysis of Mao and Fanon and relates directly to the development of the Revolutionary Youth Movement. At a “youthful age,” he says in The Class Struggles in France, the lumpenproletariat is “thoroughly malleable, as capable of the most heroic deeds and the most exalted sacrifices as of the basest banditry and the foulest corruption.” (Selected Works, I, 155). If so, at least the youth of the lumpenproletariat should be able to play an extremely important part in revolutionary struggle, because they are the only group to combine this potentiality for heroism with an intimate daily knowledge of how to cope with the police and to engage in underground activities as a way of life. And remember that in What Is To Be Done? Lenin makes the mastery of these skills the primary requirement of the professional revolutionary and of the revolutionary party as a whole, primary because these skills are needed to survive.


Not all prisoners are lumpen -- many are just working class kids caught up in some bullshit.

Lenin himself deals with one aspect of the lumpenproletariat quite relevant at the present moment– their tendency to engage in spontaneous and disorganized armed struggle against the state and in “expropriation” of state property. Lenin violently condemns those Bolsheviks who disassociate themselves from this by “proudly and smugly declaring ’we are not anarchists, thieves, robbers, we are superior to all this.” (“Guerilla Warfare,” Collected Works, XI, 220.) He attacks “the usual appraisal” which sees this struggle as merely ”anarchism, Blanquism, the old terrorism, the acts of individuals isolated from the masses, which demoralize the workers, repel wide strata of the population, disorganize the movement and injure the revolution.” (Works, XI, 216-17). Lenin draws the following keen lesson from the disorganized state of this struggle: it is not these actions “which disorganize the movement, but the weakness of a party which is incapable of taking such actions under its control.” (p. 219). The Bolsheviks must organize these spontaneous acts and “must train and prepare their organizations to be really able to act as a belligerent side which does not miss a single opportunity of inflicting damage on the enemy’s forces.”

Mao’s basic analysis of the lumpenproletariat and of their possible role in the revolution is clear and simple:

Apart from all these other classes, there is the fairly large lumpenproletariat, made up of peasants who have lost their land and handicraftsmen who cannot get work. They lead the most precarious existence of all . . . .One of China’s difficult problems is how to handle these people, Brave fighters but apt to be destructive, they can become a revolutionary force if given proper guidance. (“Analysis of the Classes in Chinese Society”).

Although in American society the lumpenproletariat consists of more groups than the dispossessed farmers of the South and Mid-West and unemployed handicraftsmen, Mao’s final generalization seems to be as fitting here as there. But unfortunately for us, Mao does not give any detailed theory on working with this particular almost entirely urban class. The closest he comes is a passage in “The Chinese Revolution and the Chinese Communist Party” (Works, II, 325-26):

China’s status as a colony and semi-colony has given rise to a multitude of rural and urban unemployed. Denied proper means of making a living, many of them are forced to resort to illegitimate ones, hence the robbers, gangsters, beggars and prostitutes and the numerous people who live on superstitious practices. This social stratum is unstable; while some are apt to be bought over by the reactionary forces, others may join the revolution. These people lack constructive qualities and are given to destruction rather than construction; after joining the revolution, they become a source of roving-rebel and anarchist ideology in the revolutionary ranks. Therefore, we should know how to remould them and guard against their destructiveness.


Why is a drug dealer legally considered a criminal, but a bartender is legal and respected?

The major Marxist theorist of the lumpenproletariat is Frantz Fanon, whose view is like an amplification of Mao’s. In The Wretched of the Earth, Fanon, writing mainly about African colonies, sees the lumpenproletariat as made up almost exclusively of landless peasants (p. 90). This is the part of the analysis least relevant to the U.S., although, of course, almost all of the Black and part of the white lumpenproletariat has been driven from the land into the cities. But he argues that, for three reasons, the revolution cannot succeed without these people:

(1) They are the most ready to fight. (2) They therefore provide the way by which the revolutionary forces of the countryside enter the city. (3) If they are not fighting on the side of the revolution, they will be fighting against it. Fanon gives many specific examples of the counter-revolutionary role sometimes played by the lumpenproletariat. In Madagascar, the colonialists assisted in “the creation of a party out of the unorganized elements of the lumpenproletariat” and then used “its distinctly provocative actions” as “the legal excuse to maintain order.” (p. 93) In Angola, Algeria, and the Congo, the colonialists were able to use elements of the lumpenproletariat as soldiers, agents, laborers, and counterrevolutionary demonstrators. Fanon concludes from this not that the lumpenproletariat should be ignored, but quite the contrary: the real danger lies in depending on its spontaneity:

Colonialism will also find in the lumpen-proletariat a considerable space for manoeuvering. For this reason any movement for freedom ought to give its fullest attention to this lumpen-proletariat. The peasant masses will always answer the call to rebellion, but if the rebellion’s leaders think it will be able to develop without taking the masses into consideration, the lumpen-proletariat will throw itself into the battle and will take part in the conflict – but this time on the side of the oppressor. And the oppressor, who never loses a chance of setting the niggers against each other, will be extremely skillful in using that ignorance and incomprehension which are the weaknesses of the lumpen-proletariat. If this available reserve of human effort is not immediately organized by the forces of rebellion, it will find itself fighting as hired soldiers side by side with the colonial troops, (p. 109)

What makes all this particularly dangerous is that it may occur after the lumpenproletariat has fought on the side of the revolution and may therefore take the revolutionary forces completely by surprise. Fanon points out that the enemy relies on careful analysis to take advantage of any such opportunity:

The enemy is aware of ideological weakness, for he analyzes the forces of rebellion and studies more and more carefully the aggregate enemy which makes up a colonial people; he is also aware of the spiritual instability of certain layers of the population. The enemy discovers the existence, side by side with the disciplined and well-organized advance guard of rebellion, a mass of men whose participation is constantly at the mercy of their being for too long accustomed to physiological wretchedness, humiliation, and irresponsibility. (109-110)

It’s certainly not difficult to imagine a similar situation here, and we should be warned of the necessity of raising the consciousness of all those who join the struggle. The Black Panthers’ political education courses, based on intensive study of Mao and stressing an application to people’s immediate experience, here serves as a model. Many of their early recruits, although unaccustomed to reading and used to the life of a criminal, learned to serve the people with complete dedication. And, like Malcolm X, not only Eldridge Cleaver, but several other leaders of the Panthers are the “discharged jailbirds” which Marx sees as part of the lumpenproletariat.

Two other parts of Fanon’s analysis are of even more strategic importance. The first is the theory of the lumpenproletariat as the way the countryside enters the city. “The rebellion, which began in the country districts, will filter into the towns through that fraction of the peasant population . . . which has not yet succeeded in finding a bond to gnaw in the colonial system.” “It is within this mass of humanity, this people of the shanty towns, at the core of the lumpen-proletariat that the rebellion will find its urban spearhead.” (103) How does this apply to the U.S.? It is easy enough to see the unemployed people of the Black ghettoes as part of this mass of humanity. But where is the rebellion that began in the country districts? The answer, of course, is in the world revolution as described by Lin Piao in Long Live the Victory of People’s War! The country districts of the world are Asia, Africa, and Latin America, homelands of the wretched of the earth. There are various groups of people in the United States who share the physical misery of these rural masses – American Indians, Chicano farm laborers, Black tenant farmers in the South, the dispossessed whites of Appalachia. But most of these groups are scattered and weak, living on the fringes of capitalist society, away from its vital centers. There is only one group that not only shares the degradation of the world’s revolutionary masses but is sufficiently concentrated to attack imperialism at home – the urban lumpenproletariat. This class in American society is largely made up of Third World people, but also includes whites dispossessed from the land or dropped out of their class. This last is no inconsiderable group, and it has taken over areas of several important cities, from the Haight Ashbury and Telegraph Avenue through Madison to the Lower East Side, Cambridge, and Georgetown, Wherever the lumpenproletariat lives in America, “law and order” are rapidly disintegrating. Imperialism, caught in its own contradictions, finds it increasingly difficult to develop effective weapons to use within its own diseased vital organs, its cities. Here stirs the lumpenproletariat, the one class whose physical existence approximates that of the main forces of the world revolution.

Fanon points to the symptoms of breakdown in the colonized country, and we see the same symptoms, perhaps more pronounced, in the colonizer; to “juvenile delinquency,” “stealing, debauchery, and alcoholism,” we can add the effects of methedrine and heroin.

The constitution of a lumpen-proletariat is a phenomenon which obeys its own logic, and neither the brimming activity of the missionaries nor the decrees of the central government can check its growth. This lumpen-proletariat is like a horde of rats; you may kick them and throw stones at them, but despite your efforts they’ll go on gnawing at the roots of the tree.

. . . The lumpen-proletariat, once it is constituted, brings all its forces to endanger the “security” of the town, and is the sign of the irrevocable decay, the gangrene ever present at the heart of the colonial system, (p. 104)

The other extremely important part of Fanon’s analysis has to do with the changing values and lifestyle of the lumpenproletariat within revolutionary struggle. The conditions of life have shaped them to fight, but the fighting itself is a new condition which transforms them into a new kind of people:

So the pimps, the hooligans, the unemployed and the petty criminals, urged on from behind, throw themselves into the struggle for liberation like stout working men. These classless idlers will by militant and decisive action discover the path that leads to nationhood. They won’t become reformed characters to please colonial society, fitting in with the morality of its rulers; quite the contrary, they take for granted the impossibility of entering the city save by hand-grenades and revolvers. These workless less-than-men are rehabilitated in their own eyes and in the eyes of history. The prostitutes too, and the maids . . . , all the hopeless dregs of humanity, all who turn in circles between suicide and madness, will recover their balance, once more go forward, and march proudly in the great procession of the awakened nation. (104)

All this emphasizes both the danger of tailing after the lumpenproletariat’s existing values and life 1 styles, and the necessity of conscious leadership for the lumpenproletariat to assert their own liberation through revolutionary struggle. Of all classes, this may be the one that most needs to be led by conscious revolutionaries with a sense of their historical condition and an awareness of their weaknesses and instability. It would be a mistake, probably a fatal mistake, to think that the only peoples qualified to lead them are individuals just as unpredictable and as lacking in ideology.

STUDENTS AND STREET PEOPLE

Students now constitute a large portion of the entire population. The number of college students alone now approximately equals the country’s entire armed forces pi us its three largest unions (Teamsters, UAW, and United Steel workers), and the number in high school is far larger. From the students has come the bulk of both the most militant white radical political forces and street people, two overlapping groups. Clearly, the radicalization and lumpenproletarianizing of students are not coincidences.

All students, particularly those living away from home, are partially and temporarily declasse, existing in a limbo between their wealthy or working-class past and whatever careers or jobs they are being channeled into. Although physically and psychologically capable of productive labor and childbearing, indeed more energetic and sexually motivated than most “adults,” though often among the most intellectually alert and best informed people, they are branded by all classes as immature parasites. They are generally not permitted either to sell their labor or to own property. Although they may work quite hard in school, they do not produce anything, and are not workers. No matter how socially useful their knowledge and skills may later prove to be, they are still “dependents,” a pleasant word for parasites.

Rather than earn a living, students chisel or hustle for one. Even the son of a member of the ruling class knows that he has gotten his sports car by finagling it out of his old man, not through productive labor (like his father’s workers) or legalized respectable plunder (like his father); he relates to his father like a call girl or swindler. Students are denied even bourgeois democratic rights. As neither workers nor owners, living under coercive rules without even the illusion of having chosen the authority over them, students share some of the experience of the more clearly classless elements of society, the true lumpenproletariat. This experience has at least some effect on their consciousness. They know what it is to be considered a parasite and to live like one. Their class loyalties weaken. The sanctity of both work and private property is questioned. Of course they are still largely products of their natal class. But because their class position is now ambiguous, many of them slip out of the class roles for which they supposedly were being trained, and some find it quite easy to become outright class traitors. Some sons and daughter of workers compete for managerial careers, and a few even become lower level bosses over their parents. Some sons and daughters of the wealthiest capitalists become conscious revolutionaries, seeking to overthrow their parents’ rule, and a few even succeed in merging with the workers. But the most striking phenomenon is that of the dropout, who slides directly from an existence with some superficial resemblances to the lumpenproletariat into becoming a bona fide member of that class. And during the present period, the beginning of the final collapse of imperialism, that is becoming a mass phenomenon.

The alienated street people, predominantly ex-students whose neighborhood usually adjoins a Black or brown ghetto, form an ambiguous connection to the dispossessed lumpenproletariat and lower strata of the proletariat. The potential exists for two kinds of conflict, and both have already taken place: in one, whites and Third World people fight against each other; in the other, both fight together against the police. This represents in dramatically clear form the classical ambiguity of and within the lumpenproletariat.

THE LUMPENPROLETARIAT AND THE WORKING CLASS

Although the lumpenproletariat must play a part in revolutionary struggle, as a class it is incapable of being the main force. Its capacity for fighting and destruction may be great, but of all classes within society it is the least capable of seizing and maintaining state power.

One error currently being made within the movement is empiricism, which bases its analysis only on what has already taken place here and now. In any pre-revolutionary or early revolutionary condition, the least stable elements within society are those to go into motion first. This almost always includes students and elements of the lumpenproletariat. Empiricism mistakes this first force for the leading force or vanguard, and concludes that the revolution will be made by precisely those elements in fact least able to carry it through to completion.

In developed capitalist society, there is of course only one class other than the bourgeoisie capable of holding state power; that class is the working class. At this point in history, revolution can mean only one thing: the overthrow of the bourgeoisie by the proletariat. (Individuals can be fighting anti-imperialists, totally committed to the destruction of the bourgeois state, without being revolutionaries. If they are merely destructive, they sooner or later attack the working class as well as the state.) But in the obvious historical meaning of revolution lies the danger of dogmatism, which ignores living reality for historical certainty. The dogmatists, best characterized by the Progressive Labor Party and other varieties of Trotskyites, see the struggles of any group other than the proletariat as inconsequential if not downright counterrevolutionary. PL carries this so far that they assert that students and street people are not part of the people at all. Because they ignorantly assume that “when Mao or Lenin talked of the people they were referring (only) to workers and peasants,” they arrive at the preposterous conclusion that “the fight for People’s Park was a reactionary struggle.” (The Battle of Berkeley, PL pamphlet, pp. 7-9.) Unlike PL, Marxist-Leninists understand that theory must be based on objective reality. They conclude, therefore, that the key revolutionary task at the present moment is spreading the intensely political struggle of the dispossessed and the alienated to the working class as a whole, which, mired in economism, can win its battle only in revolution, and can win the revolution only by leading other classes in alliance.

There is nothing automatic or certain about the relation between the present insurgencies and the working class. On the contrary, there is an extreme danger that the contradiction between the lumpenproletariat and the working class may become antagonistic (particularly if many workers were to listen to the bourgeois press or PL), The lumpenproletariat is, after all, a parasitic class that lives off the labor of the working class. Workers may perceive anarchic rebellion as a threat to the marginal security they have been able to win from the ruling class. On its side, that part of the lumpenproletariat consisting of students who have dropped out of petit bourgeois, professional, and bourgeois families has been filled with the most virulent anti-working-class ideas. And particular situations may sharpen the contradiction. (Students and street people occupy a housing development from which working-class people have been evicted, and then demand that this be a free People’s Pad, while workers in the surrounding neighborhood cannot afford their rent. Or the same situation may be turned into unified struggle. Out of the People’s Pad project has come intensive organizing for a rent strike in the surrounding community. So the task of first linking and then uniting the struggles of the lumpenproletariat and the working class is not only essential, but needs the work of conscious revolutionaries.

Among Third World people, there is a less clear demarcation between lumpenproletariat and working class than there is between street people and the white working class. Black and brown workers are the last hired and the first fired, so that a large percentage knows what it is to be among the unemployed. Many Black and brown women are on welfare or employed in part-time “domestic” (i.e., servile) positions. The Black Panther Party has shown the way to unite lumpenproletariat with working class – by constantly developing practical programs to Serve the People in areas where the oppression of the lumpen proletariat is an extreme form of oppression suffered by Black working people. Beginning with a base almost entirely within the lumpenproletariat and committed to defending the people against police brutality, the Panthers now have wide support among Black workers, and thanks to the Breakfast for Children program, throughout the Black community. What has been central to this success has been the Panthers’ refusal to take the opportunistic course of organizing around lumpenproletarian demands per se, but rather organizing through the lumpenproletariat as the most victimized members of the Black nation and therefore as ones capable of raising demands for the people as a whole. Although now and again contradictions have intensified between lumpenproletariat and working class within Third World communities, it now seems certain that revolutionary leadership, national oppression, and the intensifying crisis of imperialism will combine to forge revolutionary unity.

In the mother country, the problems are far more difficult. Certainly the lesson of the Panthers, Serve the People, is just as crucial here, to say the least. The principal organizing concept here is the Revolutionary Youth Movement, which is made necessary and possible by cross-class youth culture, the draft and imperialist war, high unemployment among youth, and the pigs.

Within the Revolutionary Youth Movement, the bulk of the work within the next year or two will continue to be building the movement on the campuses and on the streets and linking the two together. But the key job for revolutionaries will be to spread that movement to young white working people.

Here one vital area of work must be draft resistance and resistance within the army, because here the movement among alienated white youth connects directly to the needs of young workers. Another priority is the work among street gangs, who are themselves basically lumpenproletariat although their class backgrounds vary, and motorcycle clubs, which are mostly made up of young workers whose life style and off-work associations relate closely to the lumpenproletariat. A third area of vital importance is the high schools, where the channeling system has not as yet totally forced class separation and where oppression cuts sharply across class lines.

FASCISTS OR PARTISANS?

In Germany, the lumpenproletariat was the main source of shock troops for Naziism. Anyone who worships the spontaneity of unemployed youth should be reminded of the Brownshirts. In the United States, unemployed white youth are a fertile breeding place for the worst forms of racism, national chauvinism], and the cult of the super-male. This is particularly true in the South, in the urban areas into which the dispossessed rural whites have been driven, and in European ethnic neighborhoods. And among these people there is no clear dividing line between lumpenproletariat and white working class.

The Young Patriots and Young Partisans have shown that these people are capable of becoming not only revolutionaries but revolutionary leaders. And the only way for them to do this, as both groups have shown, is by organizing around the principle of serving the most oppressed and exploited people in American society.

The lumpenproletariat know what it is to be on the bottom, to be mashed into the gutter by the whole weight of an imperialist structure. They share the degradation of the wretched of the whole earth. At every moment two paths are possible for them. One is to turn their hatred against other victims, against each other, against themselves. They can put on the uniform of the U.S. Marines and butcher Vietnamese peasants, they can prey on their brothers and sisters in the streets, or they can shoot their own veins full of poison. The other path is the path of their own liberation.

To reach this path it is necessary for them, like all of us, not only to become conscious of who our real enemies are but to realize that the only force capable of overthrowing them and destroying their rotten system is a grand alliance of all their victims. And one thing is sure for everybody: no class will be liberated while there still exists a class that can be called the lumpenproletariat.


* Url:http://webcache.googleusercontent.com/search?q=cache:pXTDbZi7hJUJ:kasamaproject.org/2010/12/17/thug-life-on-the-revolutionary-potential-of-the-lumpen/+lumpenproletariat+sison&cd=6&hl=en&ct=clnk&gl=ph

Saturday, December 25, 2010

Nur Ihr Allein by In Extremo

Nur Ihr Allein by In Extremo





German Lyrics

Hinter mir könnt ihr sie sehen
Die Strolche lernen aufrecht stehen
Auf unserer Vagabundenreise
Da regeln wir's auf unsere Weise
Wir prassen bis die Nacht zeronnen
Bis Blut und kleine Knochen kommen
Danach in dunklen Ecken weilen
Und wie die Diebe Beute teilen

Refrain:
Ihr nur ihr allein
Konnt ein Teil des Ganzen sein
Ihr könnt vor eurem Leben fliehen
Oder mit uns um die Hauser ziehen
Ihr nur ihr allein
Konnt ein Teil des Ganzen sein
Aus diesem Grund sind wir erschienen
Wir sind verehrt und angespien :

Herausgeputzt an hohen Tafeln
Hört man uns vom Reichtum schwafeln
Zu dienen ist uns eine Qual
Ein Strick am Hals der kratzt nun mal
Und dafur hassen uns die Neider
Doch nachts da klau'n wir ihre Weiber
Wir machen's wie die Sonnenuhr
Wir zahlen die heiteren Stunden nur

refrain

Zarte Liebe ist uns heilig
Doch wir haben's meistens eilig
Denn wer nicht kommt zur rechten Zeit
Der muss sehen was ubrig bleibt

refrain

Auferstanden aus Ruinen
Werden wir verehrt und angespien

Refrain



Roughly translated English version

Behind me you can see it
The thugs learn to stand upright
On our trip vagabonds
As we sort things out on our way
We can splurge zero until the night
come up small blood and bone
After that dwell in dark corners
And how to share the loot

Refrain:
You Only You
Could be a part of the whole
You can escape from your life
Or go with us to the houses
Your only their own
Could be a part of the whole
For this reason, we have appeared
We are honored and spat:

Dressed up in high panels
If you listen to us chat over the wealth
To serve us is a pain
A rope around the neck of time scraped now
Darfur and the envious hate us
But at night because we klau'n their wives
We make it like the sundial
We pay the happy hours just

repeat refrain

Tender love is sacred to us
But let's have mostly affected
For those who do not come at the right time
What remains of the need to see what

repeat refrain

Risen from the Ruins
Will we worship and spat upon

repeat refrain

Unveiling their hysteria... including the Smurfs, cartoons and other countercultural media

Unveiling their hysteria...
including the Smurfs, cartoons and other countercultural media

by Lualhati Madlangawa Guererro



"Parents should be careful this days on the cartoons show that their children are watching,, coz there are subliminal messages as well as ideological message that the show is trying to imply,, no wonder that there are so many youths that are easily catch by these communist-terrorist groups..."

These are the words a "concerned citizen" said, merely in response to to a cartoon show that, in fact advocates a society that is, against the "norms" of the order. For sure most of us knew about it, for it was being shown on Cartoon Network, and the title? The Smurfs.

These blue skinned, very short beings, as tall as 3 crab apples high (according to the Calgary Sun), are criticized much, worse by the hysterical wingnuts-simply because of a society they shown upon: not the houses, not themselves, but the society they belong with, and according to the wingnuts, a "Communist."

Yes, to others may call it a "Communist", simply just because, according to Wikipedia, the society the Smurfs belonged, and enjoyed with, generally takes the form of a cooperative, sharing and kind environment based on the principle that each Smurf has something he or she is good at, and thus contributes it to Smurf society as he or she can. In return, each Smurf appears to be given their necessities of life, from housing and clothes to food without using any money in exchange.

And somehow this kind of interpretation was and is, being exploited much by the wingnuts like those of what being said from above. But remember, long before Marx's lies those kind of societies, communities that were communal. The Diggers, Mediaeval Communes, or even the communities of certain cults, proto-Socialists and even Anarchists so to say, may have inspired Pierre "Peyo" Culliford to create the entire story-that most slanderous critics of that cartoon would interpret it as advocating Communism.

There was once a writer, whose name is Marc Schmidt, even told that the Smurfs are "Socialists", as he even said that the Smurf village as a "Marxist Utopia," only because it is self reliant and the entire collective of all the Smurfs own the entire land. For sure most critics would tell it as an absolute truth, but how about the Kibbutzim? The Diggers? Remember, the society the Smurfs epicted, although Communal, also shows its Agrarian appearance-that is, different from Marxism that was, developed during the Industrial Revolution.

There are some people who are even likely to interpret characters in that cartoon: thinking that of Papa Smurf be equivalent to Karl Marx? Just because he acts as a guide to the colour of his cap and trousers that is, Red?

I even remember a writeup made by a right-wing paranoid, persumably an Accounting student in 1985, making a different account of the story, as well as assailing it as said:

"Our youngsters look up to these radical Marxists, and are gradually turning away from Capitalism and Free Market Systems..."

So? Is there anything wrong in producing a media counter to the norms of what he enjoys with? Of Free Trade and other related sytems that benefits the few? For sure back then he was ignorant of the events in the Third World that was, and is, suffered from poverty due to the systems he defend for; as well he himself being bred much by the media that advocates much of severe individualism and bastardised Democracy, same as other persons, groups who create slanderous accounts and reinterpret anything that is, applicable to their narrow-minded imagination. As media, being a free market of ideas, is in fact, controlled much by vested interests-that makes the people resorted to create a media that can counter the ones being made by the system, and to prove that the media really serves as a free market of ideas.

After all, the ones who slander are the ones praising Gargamel-who tries to get all the Smurfs and making them into gold!